Gustav Klimt The Three Ages of Woman painting

v Klimt Sea Serpents painting Bray seemed to chuckle. "What about 'erroror imposture'? I've never calledyou a fraud, you know, young man; on the contrary, I believe you're entirely sincere -- and entirely misled."
I would not be put off by the desperate flattery of a frightened charlatan, I declared -- but not to seem unbecomingly harsh I settled for "errorand/or imposture," and borrowing a pen from the elder librarian, printedGILES in bold capitals at the foot.
"Ah," Bray said, and declined the pen. "That does for both of us, in the nature of the case. I'd heard you were denying that it matters whether you're the GILES or not; but since we both claim now that we are, let the loser be nameless. Eh?"
The officials seemed less content than I with this development, but there was no time for negotiation. We set off down a corridor towards the central section of Tower Hall, where a special lift -- the only one so routed -- would take the two of us down into the Belly-room. But immense though the building was, and heavily guarded, elements of the mob outside had forced their way in; we heard shouting in a large room at the end of the hallway and were intercepted before we reached it by other uniformed patrolmen, who advised us to retreat.

Albert Bierstadt Yosemite Valley painting

>Claude Monet Monet The Luncheon painting bone invited my company on the one hand, or on the other denied me the privilege of returning to Great Mall as I'd come, I found a seat alone in the last sidecar of the motorcade, and modestly dissembling my elation at having accomplished two formidable Assignment-tasks in just a few hours, I instructed my driver (an unnecessarily sarcastic fellow) to deliver me to the NTC General Infirmary.
Though entirely sensible of the edge in his inquiry, whether it was the Infirmary proper or the Psychiatric Annex I wanted chauffeuring to, I ignored it and supposed aloud that my friend Dr. Sear, being a practicing radiologist and psychotherapist as well as director of the Psych Clinic, might have offices in both places. I would try the main building first, in hopes of a directory; he need not wait.
"Need not need not," the surly fellow grumbled, and sped off almost before I'd climbed out onto the sidewalk in front of the Infirmary. But I was in too fine spirits to report him. By contrast with the first two articles of my Assignment, this third seemed to me now light work both to interpret and to satisfy: having seen such demonstration in the past few days of the infirmities of others, moral and intellectual as well as physical, I

Bernhard Gutmann Study of a Woman in Black painting

"Flunking nuisance, all the same. Now, Goat-Boy, let's see where to start on these notions of yours and Spielman's. I really am obliged to you for bringing Croaker Home." He laughed aloud, as if struck by an extraordinarily amusing thought. "Do you know, your distinguished keeper went so far once as to accuse me of making his girlfriend pregnant. Imagine!"
"You deny it?"
He opened his robe with a kind of giggle, and Croaker tickled him at once. "Do I need to? Stop that, Croaker! So." More seriously he said to me, "Let's start there. You see how I'm made; I had early a kind of infantile paralysis; it left my legs and the rest as you observe. And young Mrs. Stoker does not call me her father."
I acknowledged that she did not.
"Then one of two things is true," Dr. Eierkopf reasoned lightly: "Max Spielman is Anastasia's father --"
"No!" I repeated indignantly what Max had told me about his accidental exposure to EAT-radiation, which had destroyed his fertility. Dr. Eierkopf smiled and nodded.
"Is that so? Very amusing! Well then, if Spielman isn't lying -- by the way, Dr. Kennard Sear could verify that. . ."

Salvador Dali Asummpta Corpuscularia Lapislazulina painting

It's the simple Enochist Truth," he said; "I'm a shy one where the girls are concerned. Always have been! Always will be!" He blinked and winked. "That don't mean I ain't got an ace or two once the chips are down! But I'm slow to make my play, and the reason is, there weren't no girls around when I was growing up. O.B.G's daughter don't count; not just she's a darky, but she come on so fast and teased so much she'd scare the starch right out o' me, despite I'd love to shown the hussy a thing or two. . . I used to tell her she was lucky I was , but the fact of the matter was, I'd get me in a state quick enough just a-thinking how she carried on, but once she was right there face to face -- no spunk at all! Know what I mean?"
Naturally I did not, except by considerable effort of imagination -- what could be more alien in the goat-barns than pusillanimity in the face so to speak of erotic provocation?
"You weren'table to service her?" I hazarded.
Greene blushed and glanced out of the booth. Croaker was asleep now in the aisle, my stick in his lap, and the broadcast above our voices a queer loud plaint:

Claude Monet The Seine At Argenteuil painting

University, George," he complained with a smile, "and don't believe in any of them. But if therewere such a thing as Finals, and I were the Grand Tutor, I'd pass the two of you just for being beautiful."
Anastasia blushed. When I made to sip my drink she stayed my hand. "Please don't drink any more. Maurice wants to make a fool of you."
I declared myself indifferent to that prospect.
Mrs. Sear embraced us both. "I'd love to paint you together! In the nude!"
"It matters to me," Anastasia said quietly. "He wants to show them you aren't what you say you are."
Dr. Sear agreed with his wife that we would make a splendid group.
"Could you work from a photograph, Heddy?" Stoker asked. "We could photograph them after the funeral."
"Let him do what he wants to," I said to Anastasia, squeezing her hand. "Whatever I do and however I look, I'm still the Grand Tutor."
"Listen to him!" Dr. Sear marveled.

Thomas Kinkade Christmas Cottage painting

Thomas Kinkade A Peaceful Retreat painting

skin was of a darker tone than mine but lighter than G. Herrold's, and all wore long yellow robes. Eight of them, lean as scarecrows, bore on their shoulders a two-poled platform whereon sat the well-fleshed ninth. His legs were folded tight before him, his hands pressed palm to palm above his belly; his eyes were closed (but not as in sleep), his lips smiled ever so slightly, his whole expression was of a serenity unbefitting the occasion. They crossed the beach -- without so much as a glance at the broken bridge, the bare-snatched maid, or our floundering friend -- and entered the river themselves. The cold current (which alas had pressed G. Herrold down until he clung now to a boulder for had as well been a sheep-dip tank for all they paused or faltered; already they were waist-high and about to pass two meters upstream from the boulder.
"So save G. Herrold!" Max shouted. And I too: "Snatch him! Snatch him!"
Surely they could have, either by returning their burden to our shore or by excusing for only a moment one of the bearers; they each had a free arm

Francisco de Goya Nude Maja painting

Then I'm not a goat? My sire and dam were both human people?"
As at the outset, Max replied only, "Forgive, forgive, Billy!"
"All this time I've been a human student, and didn't know it!"
"Ja ja." Max was down on his knees now, so that all I could see of him was his old forehead pressed against the table-edge. "I should've seen what it would come to. But forgive, Billy!"
Alas, his revelations so possessed me, it was some moments until I noticed his misery. Then I leaned quickly to shower benedictions upon his hair. Still I couldn't share his tears; half a score of inferences and conjectures importuned me. Distinguished human parents! Dark intrigues in the highest places to destroy and save me! Rescued toPass All Fail All !
As if summoned by these astonishments my rescuer himself now hove into view, sweeper in hand. "Y'all go 'long now," he ordered us with a grin. "I got to sweep this here table off."

Gustav Klimt The Embrace (detail_ square) painting

not to shave what little fur the species is vouchsafed for their legs. More, at the first opportunity they shucked off their eyeglasses and leather shoes, thereby rendering themselves more handsome in both odor and appearance. In short, as admirable a pair as I'd yet espied, and I waited with some curiosity to see her serviced.
Imagine my bewilderment when, instead of putting off their wrappers, they began to talk! I suddenly wondered, thinking of Lady Creamhair, whether among humans this did for copulation: if so, the buck at hand was in very truth a stud. With his tin he gestured toward the western glow of New Tammany, and hoarse with ardor said, "Chickie, look at those lights!"
The doe shook her head and gave a shudder. "I know. I know what you mean."
His voice mounted over her. "The Campus. . .hath not anything more fair . . ."
"Don't, please," she begged, but laid her head on his shoulder. My breath came faster; I was as fired with desire as he when he next declared, "You mustn't be afraid of it. You've got to let go."

Gustav Klimt two girls with an oleander painting

There had been no hostility in his voice, or even reproof; it had, in fact, seemed merely a question candidly stated—although this might have been because two enlisted men had been in the tent, O'Leary, and some wizened, anonymous little private shivering over the radio. It was midsummer, but nights out in the swamps were fiercely, illogically cold, and from where they had set up the operations tent that evening—on a tiny patch of squashy marshland—the dampness seemed to ooze up and around them, clutching their bones in a chill which extra sweaters and field jackets and sweatshirts could not dislodge. A single kerosene pressure-lamp dangled from overhead—roaring like a pint-sized, encapsuled hurricane; it furnished the only light in the tent, and the negligible solace of a candlelike heat. It had the stark, desperate, manufactured quality of the light one imagines in an execution chamber; under it the Colonel's face, in absolute repose as he stared down for a brief, silent instant and awaited Mannix's reply, looked like that of a mannequin, chalky, exquisite, solitary beneath a store-window glare.
"No, sir," Mannix said. He had recovered quickly. He peered up at the Colonel from his camp stool, expressionless. "No, sir," he repeated, "I don't think it's too long, but it's certainly going to be some hike."

Edward Hopper Room in Brooklyn painting

At that moment, the clock struck four. The last bang had not yet faded when there came an answering sound from beneath the great hall. Neither a bellow nor the savage grumble that the Red Bull often made when he dreamed, it was a low, inquiring sound, as though the Bull had awakened seGive me the wine," the skull said. "I have kept my part of the bargain." Silently Schmendrick tipped the empty flask to the empty mouth, and the skull gurgled and sighed and smacked. "Ah," it said at last, "ah, that was the real stuff, that was ivinel You're more of a magician than I took you for. Do you understand me now, about time?"
"Yes," Schmendrick answered. "I think so." The Red Bull made his curious sound again, and the skull rattled against the pillar. Schmendrick said, "No. I don't know. Is there no other
way?"
"How can there be?" nsing something new in the night. Every flagstone buzzed like a snake, and the darkness itself seemed to shudder as the glowing night creatures scampered wildly to the edges of the hall. Molly knew, suddenly and surely, that King Haggard was near.

Sir Lawrence Alma-Tadema A Favorite Custom painting

parents and grandparents whom the witch asked for help, and I'll grant you that they were as much to blame as Haggard, in their way. We would have handled the matter quite differently." And every middle-aged face in the room scowled at every older face.
One of the old men spoke up in a voice that wheezed and miaowed. "You would have done just as we did. There were crops to harvest and stock to tend, as there still is. There was Haggard to live with, as there still is. We know very well how you would have behaved. You are our children."
Drinn glowered him down, and other men began to shout spitefully, but the magician quieted them all by asking, "What was the curse? Could it have anything to do with the Red Bull?"
The name rang coldly, even in the bright room, and Molly felt suddenly lonely. On an impulse, she added her own ques-
don, though it had nothing to do with the conversation. "Have any of you ever seen a unicorn?"
It was then that she learned two things: the difference between silence and

George Frederick Watts Love And Life painting

demanded. It was the first he had spoken to her since the dawn when she joined the journey. Molly shook her head.
"I don't remember. I've known it a long time."
The land had grown .leaner day by day as they traveled on, and the faces of the folk they met had grown bitter with the brown grass; but to the unicorn's eyes Molly was becoming a softer country, full of pools and caves, where old flowers came burning out of the ground. Under the dirt and indifference, she appeared only thirty-seven or thirty-eight years old —no older than Schmendrick, surely, despite the magician's birthdayless face. Her rough hair bloomed, her skin quickened, and her voice was nearly as gentle to all things as it was when she spoke to the unicorn. The eyes would never be joyous, any more than they could ever turn green or blue, but they too had wakened in the earth. She walked eagerly into King Haggard's realm on bare, blistered feet, and she sang often.
And far away on the other side of the unicorn, Schmendrick the Magician stalked in silence. His black cloak was sprouting holes, coming undone, and so was he. The rain that

Claude Monet Poplars on the Banks of the Epte painting

The boats put in at one Daqo port or another, usually the crew's port, to unload and sell their fish; then they all sail on several hundred kilometers down the coast to Gazt, a long, shallow harbor in the hot marshlands south of the canebrake country. There the sailors help the Aq unload the stone. They receive no payment for or profit from this part of the trip.
I asked a shipmaster who had "sailed the faring" many times why she and her sailors were willing to take the Aq stone farers down to Gazt. She shrugged. "It's part of the agreement," she said, evidently not having thought much about it. After thinking, she added, "Be an awful job to drag that stone overland through the marshes."
Before the Daqo boats have sailed halfway back to the harbor mouth, the Aq have begun loading the stone onto wheeled flatbed carts left on the docks

Tamara de Lempicka Portrait of Ira painting

The charges which destabilised the east wall of the canyon had been set, not by the Supreme Engineer of Huy, but by the Sapper General of Meyun. To the ravaged and terrified people of Meyun, the disaster was still not their fault, but Huy's fault: it was because Huy existed that the Sapper General had set his misplaced charges. But many citizens of Huy came hurrying across the Alуn, crossing it miles to the north or south where the canyon was shallower, to help the survivors of the enormous mudslide which had swallowed half Meyun's houses and inhabitants.
Their honest generosity was not without effect. A truce was declared. It held, and was made into a peace.
Since then the rivalry between Meyun and Huy has been intense but nonexplosive. Having no more cows or pastures, they live off tourists. Perched on the very brink of the West Rim of the Grand Canyon, what is left of Meyun has the advantage of a dramatic and picturesque site, which attracts thousands

Jules Breton paintings

Jules Breton size as people on my plane, with ringers and toes and ears and all the other bits we check a baby for, but also they have pallid skin, dark hair, nearsighted eyes of mixed brown and green, and rather short, stocky figures. Their posture is terrible. The young ones are bright and agile, the old ones are thoughtful and forgetful. An unadventurous and timid people, fond of landscape and inclined to run away from strangers, they are monogamous, hardworking, slightly dyspeptic, and deeply domestic.
When I first came to their plane I felt at home at once, and—perhaps since I looked like one of them and even, in some respects, acted like one of them—the Hennebet did not show any inclination to run away from me. I stayed a week at the hostel. (The Interplanary Agency, which has existed for several kalpas, maintains hostels, inns, and luxury hotels in many popular regions, while protecting vulnerable areas from intrusion.) Then I moved to the of a widow

Frida Kahlo The Suicide of Dorothy Hale painting

not meet another soul until he turned into the passage leading to the Gryffindor common room.
"Is it true?" whispered the Fat Lady as he approached her. "It is really true? Dumbledore - dead?"
"Yes," said Harry.
She let out a wail and, without waiting for the password, swung forward to admit him.
As Harry had suspected it would be, the common room was jam-packed. The room fell silent as he climbed through the portrait hole. He saw Dean and Seamus sitting in a group nearby: This meant that the dormitory must be empty, or nearly so. Without speaking to anybody, without making eye contact at all, Harry walked straight across the room and through the door to the boys' dormitories.
As he had hoped, Ron was waiting for him, still fully dressed, sitting on his bed. Harry sat down on his own four-poster and for a moment, they simply stared at each other.
"They're talking about closing the school," said Harry.

Juarez Machado Art Deco Evening painting

Philip Craig Boboli Gardens - Florence painting
But how do you do it?"
"By an act of evil — the supreme act of evil. By commiting murder. Killing rips the soul apart. The wizard intent upon creating a Horcrux would use the damage to his advantage: He would encase the torn portion —"
"Encase? But how — ?"
"There is a spell, do not ask me, I don't know!" said Slughoin shaking his head like an old elephant bothered by mosquitoes. " Do I look as though I have tried it — do I look like a killer?"
"No, sir, of course not," said Riddle quickly. "I'm sorry ... I didn't mean to offend . . ."
"Not at all, not at all, not offended," said Slughorn gruffly, "It is natural to feel some curiosity about these things. . . . Wizards of a certain caliber have always been drawn to that aspect of magic. . . ."
"Yes, sir," said Riddle. "What I don't understand, though — just out of curiosity — I mean, would one Horcrux be much use? Can you only split your soul once? Wouldn't it be better, make you stronger, to have your soul in more pieces, I mean, for instance, isn't seven the most powerfully magical number, wouldn't seven — ?"

Guido Reni The Coronation of the Virgin painting

Yes, it must," said Hermione, pointing at the title of his essay, "because we were asked how we'd deal with dementors, not 'Dug-bogs', and I don't remember you changing your name to 'Roonil Wazlib’ either."
"Ah no!" said Ron, staring horror-struck at the parchment. "Don't say I'll have to write the whole thing out again!"
"It's okay, we can fix it," said Hermione, pulling the essay toward her and taking out her wand.
"I love you, Hermione," said Ron, sinking back in his chair, rub-bing his eyes wearily. Hermione turned faintly pink, but merely said, "Don't let Lavender hear you saying that."
"1 won't," said Ron into his hands. "Or maybe I will, then she'll ditch me."
"Why don't you ditch her if you want to finish it?" asked Harry.
"You haven't ever chucked anyone, have you?" said Ron. "You and Cho just —"
"Sort of fell apart, yeah," said Harry.

Wassily Kandinsky Yellow Red Blue painting

Hermione?" asked McLaggen, forcing his way through the throng a minute later.
"No, sorry," said Harry, and he turned quickly to join in Luna's conversation, forgetting for a split second to whom she was talking.
"Harry Potter!" said Professor Trelawney in deep, vibrant tones, noticing him for the first time.
"Oh, hello," said Harry unenthusiastically.
"My dear boy!" she said in a very carrying whisper. "The rumors! The stories! 'The Chosen One'! Of course, I have known for a very long time. . . . The omens were never good, Harry. . . But why have you not returned to Divination? For you, of all people, the subject is of the utmost importance!"

Ah, Sybi l l, we all think our subject's most important!" said a loud voice, and Slughorn appeared at Professor Trelawney s other side, his face very red, his velvet hat a little askew, a glass of mead in one hand and an enormous mince pie in the other. "But I don't t hink I've ever known such a natural at Potions!" said Slughorn, re-garding Harry with a fond, if bloodshot, eye. "Instinctive, you know — like his mother! I've only ever taught a few with this kind of ability, I can tell you that, Sybi l l — why even

Jean Auguste Dominique Ingres La Grande baigneuse painting

afraid I don't know," said Dumbledore, his voice gentle.
"My mother can't have been magic, or she wouldn't have died," said Riddle, more to himself than Dumbledore. "It must've been him. So — when I've got all my stuff— when do I come to this Hogwarts?"
"All the details are on the second piece of parchment in your envelope," said Dumbledore. "You will leave from King's Cross Station on the first of September. There is a train ticket in there too."
Riddle nodded. Dumbledore got to his feet and held out his hand again. Taking it, Riddle said, "I can speak to snakes. I found out when we've been to the country on trips — they find me, they whisper to me. Is that normal for a wizard?"
Harry could tell that he had withheld mention of this strangest power until that moment, determined to impress.