Frederic Edwin Church Cotopaxi painting

opulence and bluster; instead, I found a modest pair of rooms, one of the unlet flats at the top of the building; on the door were painted the names of half a dozen companies and the woodwork bore traces of other names which had stood there and been obliterated; the chairman opened the door himself and let me in. He was, as my father had supposed, a Jew; a large, neat, middle-aged, melancholy, likeable fellow, who before coming to , praised my father’s painting with what I believe was complete sincerity.
There was no other visible staff; just Mr. Hardcastle sitting among his folders and filing cabinets, telling me how he had felt when he lost his own father. Throughout all the vicissitudes of the flats this man had controlled them and lived for them; little companies had gone into liquidation; little, allied companies had been floated; the names of nephews and brothers-in-law had come and gone at the head of the notepaper; stocks had been written down and up, new shares had been issued, bonuses and dividends declared, mortgages transferred and foreclosed, little blocks of figures moved from one balance sheet to another, all in this single room. For the last ten years a few thousand pounds capital had been borrowed and lent backwards and forwards from one account to another and, somehow, working sixteen hours a day, doing his own typing and accountancy, Mr. Hardcastle